A highly enjoyable show that is an all female cast (good to remember from a production mindset). People I Knew: Kieran, Summer, Jennifer.
People I know: Whitney Ackerman (Danny Zuko), Amanda Baker (Marty), Brian Sipkovich (Kenickie), David Kinne (Sonny), Jonathan Dean (Vince Fontaine), Josh Alton (Teen Angel), Sarah Harrington (Anita), Megan Berndt (Peggy), and my amazingly talented sister Alyssa Heckman (Sherry). Aside from adding the song “Hopelessly Devoted To You” from the movie (which was a nice moment for Sandy but is then duplicitous/redundant when shortly followed by “Raining On Prom Night” – kind of like they wanted to remind us that Sandy is still depresse after intermission), the musical remains true to it’s source and is a wonderful trip to the raunchy and rebellious 50’s. Laura is not a fan of this musical because it instructs girls that the only way to get through high school is to give in to peer pressure, as Sandy does by dressing “hot” at the end of the show, and I agree with Laura…it is a … Continue reading →
A delightful production. By turns a gluttonous multimedia extravaganza and tantalizingly fictional tale based on Motown, Diana Ross and the Supremes. Phenomenal performances even from the third tier!
A delightful production of Cole Porter’s musical stone soup (nearly every song in the 1986 version that everyone does is from a different Cole Porter musical; the original Anything Goes is called the Beaumont version and is very rarely done), the kids of Laguna Beach High School do a fantastic job with a high school arts budget (even if it is a south Orange County high school arts budget). Laura grew up learning a lot about boats and apparently the running lights were backwards – the green light is supposed to indicate the starboard (right) side of the ship and the red light is supposed to indicate the port (left) side of the ship. Of course this really doesn’t affect the caliber of the production, but it’s a great conversation piece!
Phenomenal!!! I walked out of the theatre like. giddy fan boy! This musical is almost tied with Urinetown as the show I’ve seen the most (I’ve seen 5 different productions of Urinetown and now 4 of Sweeney – once with Norman Large (EEEE) at Riverside Community Theatre; once with John Massey Jr directing, musical directing and starring as Sweeney at STAGEStheatre; and once at the Ahmanson with it’s Tony-award winning “artistic” rendition). Does the movie count as the fifth time? ;-D This was hands-down one of the best large stage productions of Sweeney Todd I’ve ever seen. The set design, the lighting, the dancing, the singing, the acting – it’s all absolutely phenomenal. It’s no small wonder that the director (who has been in several productions of Sweeney as The Beadle – including the first National Tour) was able to pull this off, but even today it’s still a masterful … Continue reading →
Phenomenal! So much fun! The music, the casting, the performances…my God it’s beautiful! The new songs that original composer Maury Yeston wrote specifically for the adaptation perfectly complement his original tunes as well as uniquely honing Rob Marshall’s vision for exploring the pre-pubescent mind of 50 year old film director Guido Contini.
Down To Earth (1947) was a spiritual sequel to the film Here Comes Mr. Jordan (1941, which in itself was remade twice – the 1978 Heaven Can Wait and the 2001 Down To Earth). The plot was recycled in 1980 to create the movie musical Xanadu as a vehicle for Olivia Newton-John that has now been adapted into a hilariously self-referential musical. enjoyed Xanadu @OCPAC – it was..interesting. Yay for walk-on role! Lots of comedy and good one-liners! Very small cast and orchestra…(http://twitter.com/bullfrog117/status/6989842010) According to Laura, the movie had about half good songs (written for Olivia Newton-John and fit her range) and the other half not-so good (that didn’t fit her voice). The musical keeps the good songs and extends it with brand new songs that perfectly fit the story.
YES! That’s what sums up this movie at the end of the day for me – it was such a wonderful experience to watch that I can barely express it! I mean it’s New Orleans jazz! It’s Goliath the Gargoyle singing, dancing and casting voodoo spells! It’s got Jim Cummings as an adorable, endearing Cajun firefly – reusing his Jambalaya Jake from Darkwing Duck voice! It’s got a story that rips your heart out, stomps it all over the floor, laughs at you, and then perfectly sews it back up and makes you laugh with joy! Rule Number One of the bayou – never ask directions from a gator. I got confused by the typography, geography…choreography! Gator down! Look in the gumbo! I’ve been looking for you all morning! What a coincidence! I’ve been avoiding you all morning! Disney is doing a decent and amazingly fun thing by tying in … Continue reading →
Spring Awakening – OCPAC It’s Rent but with German La Boheme influences! Talkback with (some of) the actors Ilse Moritz Hanschen Swing (Krista Pioppi) Wendla Talkbacks need question screeners – No self-undulating praise rambles – No gushing adoration for the cast – No “how to be an actor” questions My question: Did you have any inhibitions mounting this production?
Wow…Ashley Brown AND Gavin Lee! Absolutely amazing performances! I love how Bert is completely in control of the set and lighting – at least when Mary lets him. During “Jolly Holliday”, a couple in the chorus were wearing the film version costumes! Well at least Dick Van Dyke’s costume…Julie Andrews’ costume was trimmed down (at best). I really like Mary and Bert’s costumes (pink dress and purple tux – but not pimpish…English). She actually said supercalifragilisticexpialidocious backwards! And so did Bert! And then they spelled it out! To be fair I’m quite fond of Ms. Andrews’ recitation and Mr. Van Dyke’s “indubitably”. No loving to laugh? No man with a wooden leg named Smith? Sure I’m satisfied with the show’s conclusion, I just love that song. Similar fate for the Dawes, Tomes, Mousely, Grubbs, Fidelity Fiduciary Bank and Stay Awake. I like the replacement …I just miss it. OMG!!! Step … Continue reading →